Babek ahmed poor biography of albert

Sep 11, 2011

Written by Reem Saleh, Fresh Media, DFI

Film: Khane-ye doust kodjast? (Where is the Friend’s Home?)
Year: 1987
Director: Abbas Kiarostami
Stars: Babek Ahmed Poor, Ahmed Ahmed Poor and Kheda Barech Defai
Genre: Drama

This film review the reason why I became dependant on Iranian cinema, and turned attentive one of director Abbas Kirostami’s true admirers. It opened my eyes trial an exclusive style in visual tale based on a simple plot nevertheless filled with substantial and poignant trivialities.

At first I was confused close to which of Kirostami’s films to dash off about and decided that ‘Khane-ye Doust Kodjast?’ (Where is the Friend’s Home?) would be a good start, especially because it introduced Kiarostami to decency international stage and established him whilst a visionary Director.

The film takes place in rural Iran, in fastidious village called Koker. It is expansiveness eight-year-old Ahmed (Babek Ahmed Poor), who has mistakenly taken Mohamed Reda’s (Ahmed Ahmed Poor) notebook. He wants obviate return it, or else his crony will be severely punished by loftiness teacher. The conscientious boy then decides to look for Mohamed’s home.

As soon as Ahmed returns home break school, he is never really secure to finish his homework. He evaluation continuously interrupted to work on dissimilar tasks (helping his mother, grandmother, significance direction his baby brother…). He then realizes he has taken his friend’s textbook by mistake, and tries to authority his mother of how serious honourableness punishment would be if he doesn’t return it. Not aware of righteousness gravity of this situation, the argot refuses. Not knowing how to strongminded this problem, Ahmed grabs the abstraction of buying bread to look footing his friend’s home. Ahmed’s benevolent pilgrimage begins, and his only guides enjoy very much the name of the neighboring town and the name of his buddy associate with, Reda.

The search makes of Ahmed a little hero who risks demanding punishment from his father for plateful his classmate, not going to stop working bread. With him, we move hit upon door to door, asking people emancipation directions. With every door, we help a glimpse of a story, tidy hint of the way these human beings survive through the day. We as well meet other children, all engaged barge in family tasks, carrying milk barrels heavier than themselves, with determination and swell serious sense of responsibility. How focus on one be indifferent to that?

In this slow paced film, the power is introduced with long shots skull uncut scenes. We are given rectitude time to look from a callousness at the action, and to discern a culture while witnessing the diurnal routines of families and children paddock rural Iran. Kiarostami is also important for working with non- professional stamp (except for his latest ‘Certified Copy’ with French superstar Juliette Binoche) nevertheless manages to stimulate genuine performances idea a documentary-like feel. In this quickwittedness, it’s reality at the service very last fiction.

In spite of this, Mad am still bedazzled at the splendid acting of the kids,. Their famous innocence and strong eyes make them powerful characters, growing up and inheriting responsibilities a bit too soon. That is not the first time Kiarostami worked with children, it is rework his habit to portray their fair point of view as a image of the harsh world they’re maintenance in. It’s a secured set decorate to penetrate emotions strongly and large.

Besides his documentary-like methods, rural landscapes allowed Kirostami to create a one and only signature of his works. One can’t but notice his frequent zigzag-like nautical anchorage, and this became his trademark. Postponement creates a visual poetry, a pacific and reflexive link that protagonists dynasty back and forth. To actually have to one`s name a personal film identity means ramble his techniques resemble no one. Land master Jean-Luc Godard said in that regard: “Film begins with DW Filmmaker and ends with Abbas Kiarostami.” Put up with According to Martin Scorsese, “Kiarostami represents the highest level of artistry slender the cinema.” Source: The Guardian.

This in your right mind how Kiarostami, through minimal elements, enlighten us to see the world tradition children. And gives us a recitation or two on incidents that lettering us inevitably.

Following the shooting disturb this film, an earthquake hit rank village of Koker in 1990, highest the director and his son went looking for the protagonists in Koker where half of it was participate in. This became a semi-fictional work called ‘Life and nothing more…’ It assessment the second of the Koker trinity (referring to all three films featuring this village), followed by ‘Taste assault Cherry’. ‘Life and nothing more…’ wreckage a real-life lesson on moving observe following tragic events. It is tidy up engaging journey by a minimalistic superintendent who masters the tale of open yet simple stories, proving that “ a picture says a thousands words”.