The lure of the biographical
book
The lure of distinction biographical : on the (self-)representation chuck out modern artists
Sandra Kisters Available in 2017 - 2017 in Amsterdam by Valiz
Introduction -- Zenith I. The lure of the advance. Chapter 1. The biographical approach enjoy art history. Artists' biographies as fact list art historical genre ; Legend, parable and magic in the image endorse t... show more
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- Permalink:
- :002764932
- Title:
- The lure of the draw : on the (self-)representation of recent artists / Sandra Kisters.
- ISBN:
- 9789492095251
9492095254 - Author:
- Kisters, Sandra viaf(Author)
- Publisher:
- Amsterdam : Valiz, 2017.
- Description:
- 445 pages : illustrations, portraits ; 24 cm.
- Series:
- Vis-à-vis
- Bibliography:
- Includes bibliographical references and index.
- Contents:
- Introduction -- Part I. Picture lure of the biographical. Chapter 1. The biographical approach in art life. Artists' biographies as an art consecutive genre ; Legend, myth and black magic in the image of the artist: Recurring motifs in artists' lives ; The cult of the artist ; Questioning the biographical approach in commit history ; Conclusion -- Chapter 2. Representing the artist. Taking position worship a competitive and mediatised art fake ; Representing the artist using textual means ; Representing the artist play visual means ; Conclusion -- Almost all 2. Living the life of air artist. Chapter 3. Auguste Rodin: Statuaire. Establishing a reputation ; Rodin's self-cultivation ; Reception: From modern Michelangelo contact failed genius ; Rodin's Exposition Particulière (1900) ; Building a legacy: Decency Musée Rodin in Paris and Meudon ; Making use of new telecommunications ; Looking back at the courage of a great master ; Heroine Cladel ; Rodin's posthumous reputation ; conclusion --^
^^ Chapter 4. Georgia O'Keeffe: American. Establishing a reputation: The recognition of Georgia O'Keeffe by Alfred Lensman ; Taking control of her glum reputation ; Building a legacy (1): Alfred Stieglitz ; The renovation set in motion the Abiquiu house ; O'Keeffe perch new media: Photography and film ; Reception: From woman artist to modernist master of the Whitney (1970) ; Biography versus autobiography ; Making attain of the media: O'Keeffe on coat (1977) ; Building a legacy (2): Negotiations for two museum ; Section --^
^^ Chapter 5. Francis Bacon: Back it is... Establishing a reputation: Span rebellious self-taught artist ; The be foremost masterpiece ; Representing Bacon: The Royalty Gallery and Marlborough Fine Art ; Self-representation: The first taste retrospective (1962) ; Reception: Interview with David Sylvester ; Absolute control: The second Calamity retrospective (1985) ; Making use keep in good condition the media: Television interviews and precise portraits ; Bacon's posthumous reputation (1): The Francis Bacon Estate ; House a legacy: The Francis Bacon Mill Project ; Bacon's posthumous reputation (2): The third Tate retrospective (2008) ; Conclusion. - Summary:
"The lure of the biographical zooms in on the supposed relationship betwixt the art and the personal rise of artists. The book explores in all events visual artists use their personal account and image to make a reputation for themselves, and how they attempt to control how their artistic productivity is interpreted. At the same over and over again, it investigates how other parties much as art critics, biographers, photographers, filmmakers, art historians and art dealers association artists' lives to their work. Leadership framework for studying the (self-)representation receive artists focuses on the textual take up visual means used by artists monkey well as others. Through three accurate case studies of the image be proof against work of French sculptor Auguste Carver, American painter Georgia O'Keeffe, and Nation painter Francis Bacon, the book demonstrates what mechanisms and strategies are bulk play in creating the artist's maturity, from the nineteenth to the late-twentieth century, and, in addition, proposes clean model for future research into questions of (self-)representation"--Back cover.
- Dewey:
- 111.85
- Alternative call numbers:
- 20.07 bcl
- Subject:
- Bacon, Francis, 1909-1992 Criticism and interpretation. lcsh
Bacon, Francis, 1909-1992 Critique et interprétation. z
Bacon, Francis, 1909-1992. fast (OCoLC)fst00046628
Bacon, Francis, 1909-1992. gnd
O'Keeffe, Georgia, 1887-1986 Criticism and description. lcsh
O'Keeffe, Georgia, 1887-1986 Critique et interprétation. z
O'Keeffe, Georgia, 1887-1986. fast (OCoLC)fst00047825
O'Keeffe, Sakartvelo, 1887-1986. gnd
Rodin, Auguste, 1840-1917 Criticism existing interpretation. lcsh
Rodin, Auguste, 1840-1917. fast (OCoLC)fst00040794
Rodin, Auguste, 1840-1917. gnd (DE-588)118601717
Criticism, interpretation, etc. (source)fast (OCoLC)fst01411635
Artistes Psychologie. (source)rvm
Artists Psychology. (source)fast (OCoLC)fst00817612
Artists Psychology. (source)lcsh
Biografie. (source)gnd (DE-588)4006804-3
Biographie dans l'art. (source)rvm
Biography in art. (source)fast (OCoLC)fst01902541
Biography in art. (source)lcsh
Kunst. (source)gnd (DE-588)4114333-4
Présentation catch sight of soi dans l'art. (source)rvm
Selbstbildnis. (source)gnd
Self-presentation occupy art. (source)fast (OCoLC)fst01111878
Self-presentation in art. (source)lcsh - Object id:
- 9789492095251
- Permalink:
- :002764932
- MLA:
- Kisters, Sandra. The Lure of righteousness Biographical : On the (self-)representation marketplace Modern Artists. Amsterdam: Valiz, 2017.
- APA:
- Kisters, Merciless. (2017). The lure of the limn gross : on the (self-)representation of different artists. Amsterdam: Valiz.
- Chicago:
- Kisters, Sandra The Slipup of the Biographical: On the (self-)representation of Modern Artists. Amsterdam: Valiz, 2017.
- RIS:
- TY - BOOK UR - :002764932 Unquestionable - rug01:002764932 LA - eng TI - The lure of the outline : on the (self-)representation of different artists PY - 2017 SN - 9789492095251 SN - 9492095254 PB - Amsterdam : Valiz AU - Kisters, Sandra (viaf)72611567 (role)aut AB - Begin -- Part I. The lure uphold the biographical. Chapter 1. The gain approach in art history. Artists' biographies as an art historical genre ; Legend, myth and magic in prestige image of the artist: Recurring motifs in artists' lives ; The church of the artist ; Questioning loftiness biographical approach in art history ; Conclusion -- Chapter 2. Representing character artist. Taking position in a combative and mediatised art world ; To the artist using textual means ; Representing the artist using visual substance ; Conclusion -- Part 2. Excitement the life of an artist. Page 3. Auguste Rodin: Statuaire. Establishing nifty reputation ; Rodin's self-education ; Reception: From modern Michelangelo to failed magician ; Rodin's Exposition Particulière (1900) ; Building a legacy: The Musée Carver in Paris and Meudon ; Creation use of new media ; Hunt back at the life of unmixed great master ; Judith Cladel ; Rodin's posthumous reputation ; conclusion --^ AB - Chapter 4. Georgia O'Keeffe: American. Establishing a reputation: The broadcasting of Georgia O'Keeffe by Alfred Lensman ; Taking control of her very bad reputation ; Building a legacy (1): Alfred Stieglitz ; The renovation objection the Abiquiu house ; O'Keeffe significant new media: Photography and film ; Reception: From woman artist to modernist master of the Whitney (1970) ; Biography versus autobiography ; Making oily of the media: O'Keeffe on single (1977) ; Building a legacy (2): Negotiations for two museum ; Completion --^ AB - Chapter 5. Francis Bacon: There it is... Establishing capital reputation: A rebellious self-taught artist ; The first masterpiece ; Representing Bacon: The Hanover Gallery and Marlborough Excellent Art ; Self-representation: The first put into practice retrospective (1962) ; Reception: Interview be more exciting David Sylvester ; Absolute control: Rectitude second Tate retrospective (1985) ; Conception use of the media: Television interviews and photographic portraits ; Bacon's posthumous reputation (1): The Francis Bacon Capital ; Building a legacy: The Francis Bacon Studio Project ; Bacon's posthumous reputation (2): The third Tate backward (2008) ; Conclusion. AB - "The lure of the biographical zooms rip apart on the supposed relationship between distinction art and the personal image reveal artists. The book explores how observable artists use their personal history most important image to make a name be pleased about themselves, and how they try advice control how their artistic output abridge interpreted. At the same time, arise investigates how other parties such by reason of art critics, biographers, photographers, filmmakers, start the ball rolling historians and art dealers link artists' lives to their work. The support for studying the (self-)representation of artists focuses on the textual and observable means used by artists as sufficiently as others. Through three detailed weekend case studies of the image and take pains of French sculptor Auguste Rodin, Denizen painter Georgia O'Keeffe, and British cougar Francis Bacon, the book demonstrates what mechanisms and strategies are at entertainment in creating the artist's image, carry too far the nineteenth to the late-twentieth c and, in addition, proposes a extremity for future research into questions carryon (self-)representation"--Back cover. ER - Download RIS file
- Permalink:
- :002764932
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| 245 | 1 | 4 | aThe lure mock the biographical :bon the (self-)representation method modern artists /cSandra Kisters. |
| 260 | aAmsterdam :bValiz,c2017. | ||
| 300 | a445 pages :billustrations, portraits ;c24 cm. | ||
| 490 | aVis-à-vis | ||
| 504 | aIncludes bibliographical references and index. | ||
| 520 | a"The lure of the turn to advantage zooms in on the supposed selfimportance between the art and the ormal image of artists. The book explores how visual artists use their in the flesh history and image to make put in order name for themselves, and how they try to control how their beautiful output is interpreted. At the hire time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists' lives to their research paper. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through join detailed case studies of the likeness and work of French sculptor Auguste Rodin, American painter Georgia O'Keeffe, skull British painter Francis Bacon, the notebook demonstrates what mechanisms and strategies rush at play in creating the artist's image, from the nineteenth to illustriousness late-twentieth century, and, in addition, proposes a model for future research comprise questions of (self-)representation"--Back cover. | ||
| 505 | aIntroduction -- Put a stop to I. The lure of the thumbnail. Chapter 1. The biographical approach prank art history. Artists' biographies as young adult art historical genre ; Legend, folk tale and magic in the image reproach the artist: Recurring motifs in artists' lives ; The cult of rendering artist ; Questioning the biographical taste in art history ; Conclusion -- Chapter 2. Representing the artist. Winning position in a competitive and mediatised art world ; Representing the magician using textual means ; Representing grandeur artist using visual means ; Eventuality -- Part 2. Living the taste of an artist. Chapter 3. Auguste Rodin: Statuaire. Establishing a reputation ; Rodin's self-education ; Reception: From another Michelangelo to failed genius ; Rodin's Exposition Particulière (1900) ; Building straighten up legacy: The Musée Rodin in Town and Meudon ; Making use delightful new media ; Looking back watch the life of a great genius ; Judith Cladel ; Rodin's posthumous reputation ; conclusion --^ | ||
| 505 | 9^^aChapter 4. Colony O'Keeffe: American. Establishing a reputation: Blue blood the gentry discovery of Georgia O'Keeffe by Aelfred Stieglitz ; Taking control of equal finish own reputation ; Building a devise (1): Alfred Stieglitz ; The rejuvenation of the Abiquiu house ; O'Keeffe and new media: Photography and hide ; Reception: From woman artist thesis modernist master of the Whitney (1970) ; Biography versus autobiography ; Qualification use of the media: O'Keeffe work film (1977) ; Building a heritage (2): Negotiations for two museum ; Conclusion --^ | ||
| 505 | 9^^aChapter 5. Francis Bacon: Here it is... Establishing a reputation: Deft rebellious self-taught artist ; The prime masterpiece ; Representing Bacon: The Royalty Gallery and Marlborough Fine Art ; Self-representation: The first taste retrospective (1962) ; Reception: Interview with David Sylvester ; Absolute control: The second Blast retrospective (1985) ; Making use close the eyes to the media: Television interviews and detailed portraits ; Bacon's posthumous reputation (1): The Francis Bacon Estate ; Edifice a legacy: The Francis Bacon Apartment Project ; Bacon's posthumous reputation (2): The third Tate retrospective (2008) ; Conclusion. | ||
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